I’ve been drowning myself in epic soundtracks this week. The Celtic strains haunt and delight me. They are like the marriage of prayer and song. They are familiar to me, matching a wandering spirit that is always hovering in the background. A slight dissatisfaction deep within. I’m not referring to ingratitude, on the contrary, a thankfulness and truth in the bottom of my soul. I feel born for another world, just here on borrowed time, really. These notes crescendo and filter through our days. They meld and fit puzzle-piece like into the slowly aching and awakening earth all around me. Not long ago, the senses led our days, a seasonal movement, natural alarm clocks. The rooster, smells of from-scratch-made meals, the animals needing tending, the sounds of farm life awakening. The birds returning, ground slowly thawing, and longer days. Spring is one of rebirth. The following of the agricultural rhythms to life are pretty much a thing of the past. The natural world has it’s own music, one I’m privileged to have close relationship with, by opening my door and stepping out into it. The grand expanse, a small reflection of the life to come.
The poetry we soak in together, books savored, music enjoyed, the sunshine, and blue skies, it is all a five-sense feast of wonder. What of those who live without it, at no fault of their own, especially children? What of those trapped in steel, concrete, and those who never see, hear, or experience one little sip of beauty, nature, or wonder? What of the times I refuse these gifts by “the tyranny of the urgent”, or non-living things of little true importance? The false feeling of doing something important when on Instagram or Twitter. All we drink from this deep, rich river of living-giving beauty becomes the well we draw from when reality bears down brutally on us. Without these moist depths, our insides shrivel up and die. We also, more importantly, gain an overflow, one that can spill over to those in need with their dry, cracked hearts.
My daughter and I are in a class learning to make 18th century women’s clothing. The learning curve has been steep to stay the least, but again the same strain of music is floating through these moments. A returning to our roots, learning of the American Colonial women, immigrants to this land, what their lives were like. Each stitch, each piece of clothing we make, feels foreign, alien, even. In reality, each piece was important, whether for a small slice of beauty in the woman’s life, or more likely for her heavy work-load. It’s like putting on the skin of someone else, shedding modernism, and becoming part of the land and people who have helped shaped this place in which we live. The hands-on aspect of it also is something of bringing us home, the value in making with one’s own hands. The contemplative posture, the slowness of progress, the appreciation of quality, one of a kind creations, found in this process.
The massive amounts of undergarments, the lovely slate blue floral kerchief tucked into stays, green linen gown and brown petticoat, white cap, and apron all are romanticized in my mind, of course. There is something about appreciating others, different cultures, and time periods, though. Again, the flutes play, the aching hums along, this beauty quenches that nagging thirst. The ability of this well not to leave us in a static place, in a place dictated by the current stream’s of thought, but one that draws from the whole river of life and time.
Oh, how I want to stay in this tune of life, waltzing and dancing through it with those around me. Yes, the reality of relationships and life is hard, but if I listen close and keep my toes tapping to this quiet song, this still small Voice, the well will never run dry.